Varvara Melnikova is a cultural entrepreneur and strategic advisor. Her core expertise lies at the intersection of urban design, education and media. She served as CEO of Strelka Institute for Media, Architecture and Design for over a decade, co‑founded Moscow’s leading urban consultancy KB Strelka, led the digital transformation of Russia’s media house Afisha and directed the relaunch of the historic Khudozhestvenny Cinema, transforming it into Moscow’s leading contemporary cultural venue.
At Strelka, she engaged Rem Koolhaas and OMA/AMO to co‑design research led curriculum for Strelka’s launch, which was further built upon by Strelka's program director Carlo Ratti, and later engaged philosopher Benjamin H. Bratton to direct two think tanks, The New Normal and The Terraforming. Both ventures extended Strelka’s expertise into planetary‑scale design research, examining how cities evolve at the intersection of computation, ecology, and governance.
In 2014, Varvara served as a chief curator of the Russian Pavilion at the 14th Venice Architecture Biennale, titled Fair Enough, receiving a special mention from the Biennale jury.
Through KB Strelka, she built a portfolio of large‑scale urban redesign projects, launched a national architectural leadership education program through Architects.RF and oversaw editorial and publishing projects at Strelka Press. With Summer at Strelka, she led seasonal public programming, combining film screenings, lectures and concerts which examined how eco activism, cities, technologies and design further inform civic and cultural trends.
One of Varvara’s most notable achievements is the relaunch of Khudozhestvenny, a venerated Moscow cinema. Under her leadership, the old cinema house transformed into a modern cultural hub. The venue became host to Gucci’s Moscow space, featuring the Gucci Aria screening and the Gucci 100 pop‑up within Gucci’s Places initiative.
Today, Varvara advises founders, boards, and public institutions on strategy, governance, and partnerships that lie at the intersection of culture and urbanism. Focus areas include research‑driven institutional models, portfolio placemaking for real estate and hospitality, and brand × culture programs that intersect historic venues with contemporary ideas.